Since my last post in July the scope of the Ambiguous Book Project has entered uncharted territory. I've found it fascinating how we've moved out of the urban, through the suburban, beyond countryside into wilderness.
As we approach the fiftieth, that's right 50th, image of the sequence we're almost home but I'm sure not without some more twists before we're done.
In the meantime I've been thinking of how the book can be formatted and structured. In this instance the primary challenges of any book, the edit and the sequence, have already been taken care of. The very nature of Ambiguous means every image is included and they will each be presented in relationship to the one they respond to. In that sense all I'll need to do is click Get Photos then Autoflow and, ladies and gentlemen, my work is done. It's certainly an attractive option. I've taken an invisible hand to the project so far, gently nudging it on its path since launch back in February.
However this collection of images is becoming such a wonderful resource I just wonder, I just wonder...
In keeping with the spirit of the essential ambiguity of photographs I toy with an idea made famous by David Bailey's Box of Pin-Ups. A loose, unbound collection of prints that can be seen in any sequence the viewer chooses. Willfully perverse though it may seem I find there's something in the idea of literally throwing Ambiguous up in the air and letting the viewer take a treasure hunt approach to join the images together as they fall...Yes? No? I think it's one I'll have to save for another day unless Blurb suddenly add this to their ever expanding list of publishing options. Why they may even have a Direct From Facebook one soon...wait a minute, what's this?
Hold on to your hats. Can we complete the project by next February to meet it's first birthday? I certainly hope so!