I'm about to embark on a selection of images from some recent work from Barcelona and thought you might like to come along for the ride.
First stop is the contact sheet. Click on it for a bigger version.
On first take the contact sheet represents a chaotic, random way of working. I'd like to think there's method in my madness. For me facing the moment I originally took the photograph is one part of my work that has noticeably changed over time. At first it was a time of high expectation, regularly dashed on the rocks of my ambition. Over time as I've put more time between taking and printing images my attitude has become more sanguine, an appreciation of each moment on its own merit.
The Barcelona work is interesting as I've a clear memory of the circumstances surrounding a number of the images. The sequence I've latched onto from the particular contact sheet above is one revolving, literally, around an argument in the street between a young man and woman.
The street at the time was relatively empty so I was keen to be unobtrusive, not for any great ethical motivation, but to try to get as close as possible. The result is two frames, 14 & 17, of the event, spliced by two others where I was moving around it. Intriguingly these four images, presented as they are on the contact sheet, become a sequence themselves related not just by time and space but something, for me at least, more evocative, almost cinematic.
I'll explore this in the next part of the process. Can't say what that'll be yet as I don't know myself!
